WHERE Streaming on Netflix WHAT IT’S ABOUT The italian film maker Paolo Sorrentino writes and directs “ The Hand of God, ” an autobiographical narrative of a adolescent named Fabietto ( Filippo Scotti ) growing up in Naples during the 1980s .
Fabietto spends these formative years planning to study doctrine in college, watching the soccer legend Diego Maradona play for Napoli and socializing with his mother Maria ( Teresa Saponangelo ), father Saverio ( Toni Servillo ), brother Marchino ( Marlon Joubert ) and large extended family, including an aunt named Patrizia ( Luisa Ranieri ) who fascinates him.
Tragedy compels Fabietto to reassess everything over the course of the movie from the Oscar-winning Sorrentino ( “ The Great Beauty ” ), which is nowadays streaming on Netflix ( in Italian, with English subtitles ). It ‘s on this year ‘s shortlist of 15 movies eligible to receive nominations for Best International Feature Film at the approaching Academy Awards .
MY SAY “ The Hand of God ” finds a adolescent discovering himself and being set on a path toward his future. But it distinguishes itself from the overplus of coming-of-age narratives thanks to the ways in which the film maker incorporates the fat ocular landscape of the Neapolitan area into this formative report .
Sorrentino establishes the tonicity at the start : a helicopter blast, captured in a single drive, that soars over the water, pans alongside a car on a seaside road and across the buildings that dot the landscape, before darting back out to sea as the sound drops out .
The title of the movie refers to a celebrated Maradona quotation mark, about a goal that he scored during the 1986 World Cup, but with this hatchway trope Sorrentino makes it clean that it has vitamin a much to do with the larger forces that will shape Fabietto ‘s story and are constantly at play in our own .
So the picture plays somewhere above and beyond reality, while being informed by painstakingly human experiences. We never see an older Fabietto, presumably a successful film film director, but it ‘s clear that the movie presents his youth as he remembers it decades belated.
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It ‘s comprised of impressionistic memories of dreamy summer days, of a adult family with outsize personality types. The whole city seems to gather on their balconies to watch Maradona score goals. A dreamlike evening trip to the island of Capri includes a night swim in the Blue Grotto .
Fabietto gets his first introductions to filmmaking : Marchino brings him to auditions, where he ‘s surrounded by idiosyncratic figures, and he wanders onto a place where a commotion of frenzied activity unfolds below a person suspended top down in midair.
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There ‘s rejoice and warmheartedness in so much of this, but besides a fantastic sadness. This life exists only as a memory nowadays. As tragedy strikes and prison term marches on, a new reality sets in : For Fabietto, there will be no more happy days in the sun .
But there ‘s always a future. And there ‘s the divine gift offered by the movies : allowing us to return to the places we remember, to bring back those we have loved and lost .
BOTTOM LINE This is a profoundly affecting coming-of-age fib that doubles as a movie about the movies themselves .